By Zia Ahmad
A good fifteen years ago, in a previous century, there was this little talk of a film that made tall claims of revitalizing Pakistani cinema and provide a much needed breakaway point from the atrocious and tedious exercise which goes into defining Lollywood. Salmaan Peerzada, the then reclusive elder of the Peerzada clan, had returned to Pakistan after a lifetime of appearing on British television and odd feature films. Lesser known in Pakistan as his younger Peer brothers, his debut directorial feature, Zar Gul, nevertheless garnered media attention in the mid 90s. Continue reading