By Yasser Latif Hamdani
Late last week I attended a packed show of “My Name Is Khan” in Lahore’s DHA Cinema and while I went through all the emotions the film maker wanted to evoke, I found the film entirely misplaced and misdirected. The film itself was well made 70 percent of the way. It began to go downhill from the time our hero returned to Georgia to find it stuck in the Civil War era and by the time President Elect Obama made his appearance the film which is essentially Khuda Ke Liye meets Forest Gump meets Rainman meets Milk was completely over the top. Continue reading
IPL fiasco threatened to further worsen Pakistan-India ties. Now the great King of Bollywood has stepped up to the plate and spoken on the issue. -YLH
The team owners of the India Premier League (IPL) have so far stood together on the issue of not bidding for any Pakistani players in the third edition of the event. They had come out in the media denying any foul play. But now a prominent voice among them has stood up and voiced his opposition to the issue. It is none other than the Baadshah of Bollywood, Shahrukh Khan who owns the Kolkata Knight Riders. Buzz up!In an interview to a leading news channel Shahrukh Khan said “They are the champions, they are wonderful but somewhere down the line there is an issue and we can’t deny it. We are known to invite everyone. We should have. If there were any issues, they should have been put on board earlier. Everything can happen respectfully,” It may be recalled that Shahrukh Khan who had taken active part in the bidding of the players in the first season had shown keen interest in Pakistani players. He had roped in Umar Gul and maverick Pakistani pacer Shoaib Akhtar in the first season. Shahrukh’s statement is bound to add to the controversy especially after fellow Bollywood celebrities Preity Zinta and Shilpa Shetty having gone out in full support of the fairness of the bidding process.
By Mohammad Taqi
چناں قحط سالے شد اندر دمشق
کہ یاراں فراموش کردند عشق
( سعدی شیرازی )
Saadi of Shiraz wrote with great dismay that “the famine in Damascus is so bad that friends have forgotten how to love”.
Something much worse has befallen our city, Peshawar. It is difficult, if not impossible, to talk about music, art, films or love when the terror reigns supreme and war has ravished the city and its citizens alike.
Filed under Afghanistan, Art, Cinema, culture, drama, Heritage, History, India, Media, North-West Frontier Province, Pakistan, Peshawar, Photos
Indian TV has seen numerous Bollywood reality shows, competition where common boys (and occasionally girls) have won places on movies by top directors. The Show that I want to talk about is Bollywood, blind-date and arranged (and staged) marriage all rolled into one big media circus. Continue reading
Filed under Activism, Art, Cinema, Citizens, culture, Dance, drama, Heritage, History, human rights, Humour, Identity, Images, India, Islamism, Kashmir, magazines, Media, men, minorities, Music, Pakistan, Partition, Politics, poverty, Punjabi, Religion, Rights, Rural, sex, south asia, Terrorism, Theatre, Women, youth
Advisory Warning: The Article is Intended for starting a debate on issues of Race and Religion. Some readers might find the discussion offensive,but it is printed in the spirit of freedom of expression.The debate is not in favour of or Against any racial or religious Group.The editors reserve the right to disagree with the author.-PTH Continue reading
Filed under Activism, Citizens, Colonialism, culture, Democracy, human rights, Identity, India, Islam, Islamism, journalism, Media, Politics, poverty, Religion, south asia, Sufism, Terrorism, Travel, USA, youth
posted by Soniah Kamal
‘Jab We Met’ (2007) is a prime example of an Indian movie meshing traditional and modern India in its characters but coming off confused. Poor little rich boy Aditya (played perfectly by Shahid Kapoor) and madcap Geet (Kareena Kapoor) meet on a train, the singular motif in the movie and, as such, one which hinges on all the usual cliches: life equals train tracks, decisions equal getting on or off trains and, most banal, because Geet keeps missing her trains she and Aditya are thrown together on a journey which will eventually lead to their…but let me not spoil the hackneyed ending.
Karina plays quite well the scatterbrained, chatterbox if slightly irritating Geet, a girl so full of life her words bubble over, her laugh is a nervous titter, and she sees good in everything and everyone even a stranger yelling at her to shut up, which is what Aditya does the first time he and Geet meet. Soon, however, Geet realizes that there are some lemons even she cannot make lemonade out of, and suddenly Geet goes from bubbly to morose, an emotional condition which is tritely symbolized by her dress. A bubbly Geet wears short sleeve shirts and tight jeans (in fact her old world grandfather wonders aloud that if Geet can dress like this at home then in Mumbai she’s probably roaming around naked), while a depressed Geet appears in shalwars and long sleeved shapeless kurtas draped with dupattas, her hair tied back and her gaze always turned down. So a happy girl dresses Western (Indian-modern?) and an unhappy girl dresses Eastern (Indian-traditional)? Continue reading