Tag Archives: Art

On Iqbal Geoffrey – Collage of life


Pakistani artist Iqbal Geoffrey is much more than a witty collage-maker: his world is, artistically and socially, a cosmopolitan one.


Image on the rigth: Self-portrait: Man of Steel Massage of Love.

IQBAL GEOFFREY is both a singular artist and a singular character. His work over the past 50 years has been marked by complete integrity and an artistic vision that is uniquely his own. There is no other artist like him in the subcontinent or, for that matter, anywhere else.

His critics may dismiss him as a witty and clever collage-maker but he is, to be sure, much more than that. He is not a hedgehog like the American Abstractionists Jackson Pollock, Mark Rothko, Joseph Albers, Willem de Kooning and Jasper Johns. Of course, the collage is his mainstay, and that makes him as acerbic a social critic as Honore Daumier and Constantine Guy were in 19th century France. Unlike the above-mentioned Abstractionists, who did one thing very well, Geoffrey can be quite versatile when he wants to. This is probably because he has never ceased to draw human figure or landscape or, for that matter, objects, which usually form a part of his collages, though not always. He can, therefore, do many things proficiently. Continue reading


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