Faisal.K writes in the News on the implications of the government slashing NAPA’s grant to one third of what it was
Three years ago there were only two countries in our region without an academy for the promotion of performing arts, Pakistan and Saudi Arabia. In 2005 the National Academy of Performing Arts (NAPA) happily put an end to this misery in our neck of the woods at least.
To put it simply, NAPA represents an effort to take the unpolished raw coal of our society and through hard work, lots and lots of manhours and three whole years turns out glittering jewels of performing arts for us to enjoy as a nation. Yes, that is how long it takes to excel in a specific field of performing arts of which there are namely three, Music, Theatre/Drama & Dance. The amount of hard work and dedication required for each of these subjects is quite immense as witnessed by the fact that out of 50 enrollees for each discipline, the last graduating batch saw 9 students get over the finishing line per area.
Housed in the magnificent Hindu Gymkhana, the faculty for this academy is a quartet of immense power and experience, the chairman being Zia Mohyeddin and the board comprising luminaries like Rahat Kazmi, Arshad Mahmud and Talat Hussain, all grand masters in their own areas of excellence and proven stalwarts of our theatre, film and television fraternity. Continue reading