War, Inc.

posted by kinkminos

John Cusack is one of my favourite Hollywood actors, having won me over with roles in films like Hi Fidelity, Grosse Point Blank and Being John Malkovich. The following is an excerpt from a review of Cusack’s new film War, Inc. — a film depicting the corporatisation of the war in Iraq. Where will it end, this commoditisation of humanity in the name of progress?

War, Inc. is a radically different kind of movie. In fact, it really defies genre. It is sort of like this generation’s Dr. Strangelove, A Clockwork Orange and The Wizard of Oz mixed together with the un-embedded reporting of Naomi Klein, spiced up with a dash of South Park. It is a powerful, visionary response to the cheerleading culture of the corporate media and a pliant Hollywood afraid of its own shadow. On the surface, War, Inc. appears to be a spoof of the corporatization of the occupation of Iraq.

Cusack, Leyner and Pikser are not predicting the future, they are forcefully — and with dark humor and wit — branding the present for what it is: the Wal-Mart-ization of life (and death) represented in the new US model for waging war. With 630 corporations like Blackwater and Halliburton on the US government payroll in Iraq getting 40% of the more than $2 billion Washington spends every week on the occupation, Cusack’s “futuristic” film is not far from the way things really are. A powerful, for-profit war corporation, run by the former US vice president “owning” the war zone; tanks with NASCAR-like sponsor logos speeding around the streets firing at will; “implanted journalists” watching the war in IMAX theaters in the heavily-fortified “Emerald City” to get “full spectrum sensory reality” while eating popcorn; a secretive “viceroy” running the show from behind a digital curtain are all part of Cusack’s battlefield in the fictitious Turaqistan. But how far are they from the realities of the radically privatized corporate war machine Washington has unleashed on the world?

Read the entire review at The Huffington Post


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